Imagine a 17th century room filled with reverberating screams of infants and a father lackadaisically lying on a couch ignoring the cries. The only action present is that of the milkmaid who is hastily working to prepare food and milk for the family. The year is 1885; imagine a vast field with the scorching sun shining down on the bare necks of women as they face down working strenuously to cultivate the land. These were the busy times of the women where they worked even harder than some men. Women’s work was not a joke for the lower and middle class women, while the upper class women were fortunate enough to have other women doing the work for them. As a result many renowned artists such as Jan Vermeer, Vincent Van Gogh, and Jean-Francois Millet, painted the actions of these women to display the hardships these women had to face in order to sustain a well-being. The following paintings are different in style, however send the same message that was women’s work.

Tuesday, May 10, 2011

The Milkmaid, Jan Vermeer (1658-1660)

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The first painting we look at is “the Milkmaid” by Jan Vermeer. The official completion of the painting is unknown; however, the Metropolitan Museum of art estimates the date to be 1658-1659.[1] The Dutch woman in the painting is commonly known to be a housemaid, carefully pouring milk into a small container known as the ‘Dutch Oven’. The young sturdy woman is seen as doing one of her many daily routines; yet her facial expression sparks controversy: is she enjoying the chore by giving a slight smile, or is she biting her lips to express a sort of cautiousness? The answer does not reveal for a shadow conceals half her face. Through many days of discussion, a clear answer still does not prevail. Besides the debatable topic of the painting, a striking, yet minute detail stands in the right corner of the painting. The tiles behind the foot warmer depict cupid and a man with a pole. Coincidently, light passing through the window shines right on the cupid tile. A renowned conjecture is that the light shines on the cupid to express a sense of romance in the painting. The precision and accuracy Vermeer used to paint this portion was astounding because he was one of the first of his time to ever do this. Another key point people should keep in mind is what she is preparing. The painting is called “the Milkmaid”; however, she is doing work of a housemaid (milkmaids usually did work with cows outdoors). In the painting, it is evident that cut pieces of bread scatter around the table, which means that she is preparing more than just milk; furthermore, the painting suggests that she is making bread pudding, a kind of custard. This is significant because she is making a delectable treat for whomever with useless pieces of stale bread. The woman is expressing her humbleness through making a treat with bread that otherwise would have been wasted. A key technique Vermeer utilizes is setting a vantage point. He sets the vantage point on the right wrist of the woman to signify the importance of the pouring. He also sets up imaginary diagonal lines starting from the bottom corners to the center of her forehead forming a sort of pyramid. In conclusion, the techniques and unique style Vermeer had in his painting really made this painting a pivotal point in the art world for many people got inspired from his work.[2]
In the 17th century, women from the Netherlands were not so much involved in academics as they were involved in culinary skills and cleaning. This explains how many housemaids there were at the time, which shows that this woman was not uncommon among the other women at the time.



[1] "THE MILKMAID by Johannes Vermeer." Essential Vermeer. Web. 25 Apr. 2011. <http://www.essentialvermeer.com/catalogue/milkmaid.html>.
[2] Ibid.

Monday, May 9, 2011

The Potato Eaters, Van Gogh, 1885

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             This painting, also representing women at work, is “the Potato Eaters” by Vincent Van Gogh in 1885. Van Gogh, like Millet, deliberately used ugly and disheveled models in order to convey true work. As Van Gogh said, “I wanted to convey the idea that people have earned their food by honest means.” His message through the painting was to have people aware that others, in this case women, have to work to make an honest living. In the painting, there are a total of five characters: four women and one man. The man and the woman on the left cooperated in shaving the skins off the potatoes, while the three women on the right are drinking tea. Although the dim light from the ceiling hardly illuminates the room, the faces of the figures are still visible and vibrant. The facial expression of the second woman from the right shows hopefulness while she gives a potato to the other woman. Van Gogh also exaggerated the cheeks of the second woman from the left by making it really small to show that some of these peasants were somewhat emaciated. Through this Van Gogh did not wish to condemn peasants; rather, he simply wished to show these country people in their true nature. The overall mood of the painting is gloomy because of the dull colors Van Gogh uses; however, he does give a sense of hopefulness in the face of the woman. He says that artists in the future should not be so aspired to use vibrant colors to convey a hopeful mood.[1] This painting shows that all of the figures are in a household and because women dominate in numbers, the viewer’s get a sense of female authority in the house. Also, another painting by Van Gogh in the same year, “Two women digging,” shows two women supposedly digging for potatoes. This shows that the women in the household were the ones who provided the potatoes for the family. [2]
During the 19th century when this painting was completed, many new doors opened for women. This was the time when the Industrial Revolution was taking place so women were involved in improving society rather than simply living in the house caring for children and servants. Because of the acceptance into the society, some women were given the right to vote, they got better educations, all-girl schools were made, women became doctors, and women were admitted into playing sports. This was all occurring while this painting was made. However, although women were allowed more luxuries, Van Gogh wanted to remind the society that not all women were so lucky.


[1] "Vincent Van Gogh. Study of Art, Paintings, and Works." MoodBook. Bring Art to Your Desktop! Web. 26 Apr. 2011. <http://www.moodbook.com/history/postimpressionism/vincent-van-gogh-works.html>.
[2] "The Potato Eaters by Vincent Van Gogh." Vincent Van Gogh Gallery - Welcome! Web. 26 Apr. 2011. <http://www.vangoghgallery.com/painting/potatoindex.html>.

The Gleaners, Jean-Francois Millet, 1857

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The second painting that represents women’s work is “the Gleaners” by Jean-Francois Millet in 1857. This oil painting exhibits three peasant women working to harvest the last bits of wheat on the large field, while large stacks of wheat are piled in the background. The women’s backs are faced towards the viewers so the facial expressions are unknown; however, Millet made the women’s attires ugly and dull to publicize a message. He wanted the populace to know that although an abundance of wheat is stacked in the background, poor people, like the peasant women depicted, will never work their way up to prosperity. This provoked the French upper class, and they denied the fact that they were treating the lower class with such negligence. However, to the lower class, they felt like this painting represented the glory they received following the French Revolution. They felt that society depended on them, which started the rise of Socialism. In this painting, Millet does not place a vanishing point; rather, he blends the colors of the women and the field together to force the viewers in seeing the painting as a whole. He also sets an overall dull mood by painting the skies with pale colors.[1]


[1] "Story behind the Picture - The Gleaners | Timeline of Waste." University of St Andrews - Scotland's First University, Founded 1413. Web. 26 Apr. 2011. <http://www.st-andrews.ac.uk/~waste/timeline/story-pic1.html>.

work cited:

THE MILKMAID by Johannes Vermeer." Essential Vermeer. Web. 25 Apr. 2011. <http://www.essentialvermeer.com/catalogue/milkmaid.html>.


"The Potato Eaters by Vincent Van Gogh." Vincent Van Gogh Gallery - Welcome! Web. 26 Apr. 2011. <http://www.vangoghgallery.com/painting/potatoindex.html>.


"Story behind the Picture - The Gleaners | Timeline of Waste." University of St Andrews - Scotland's First University, Founded 1413. Web. 26 Apr. 2011. <http://www.st-andrews.ac.uk/~waste/timeline/story-pic1.html>.



"Vincent Van Gogh. Study of Art, Paintings, and Works." MoodBook. Bring Art to Your Desktop! Web. 26 Apr. 2011. <http://www.moodbook.com/history/postimpressionism/vincent-van-gogh-works.html>.